somasonics

research: Chapter Arts Centre Cardiff, Clougha Pike Lancaster performance: Commissioned for the Between Nature: Ecology and Performance conference, Lancaster University August 2000. somasonic#2 taff was presented at the Stiwdio Theatre, Chapter Arts Centre, Cardiff, Sept 2000 materials: 2 mobile phones, 32 earphones, plants, glass bowls and sample jars, microphones (binaural stereo pair/ underwater microphone), 2 […]

homings

g39, Cardiff April 11-14 programme: ‘homings incorporates three diverse, but intersecting process strands and geographies; part meditation on the desire to roam and the equal longing to return home, this work combines sound, video and gathered materials as place,memory and presence with the paradox nature of perception through movement. Seeking a home in the indeterminate, […]

haunts

location: Tinahely Courthouse Centre, Co. Wicklow, Eire dates: August 2001 On rare occasions, this side of the Irish Sea, it is possible to glimpse the Wicklow hills, 80 miles away. When the position of the falling sun in the West is right, the mountains appear in silhouette. A poetic glimpse of an invisible coastline, a […]

testing

research: Chapter Arts Centre Cardiff, 2000 performance: na materials: roll of paper, mobile phones, microphones, speakers, electronics, guitar, ampifier, rowan tree, video camera and monitor, string, gaffa tape ..testing..is a body of studio research that is concerned with place-sensitive and kinaesthetic systems for physical and sonic performance. Looking directly towards generating work that deals with […]

somasonicspirit

This gallery contains 5 photos.

research: Chapter Arts Centre Cardiff, Clougha Pike Lancaster performance: Commissioned for the Between Nature: Ecology and Performance conference, Lancaster University August 2000. somasonic#2 taff was presented at the Stiwdio Theatre, Chapter Arts Centre, Cardiff, Sept 2000 materials: 2 mobile phones, 32 earphones, plants, glass bowls and sample jars, microphones (binaural stereo pair/ underwater microphone), 2 […]

skyclad

This gallery contains 5 photos.

  materials: table, plastic horse, balloons, paper, video camera, monitor, microphones (2x PZM), biofeedback monitor, sound processing (wah pedal, digital delay, compressor), amplification Winter 1999. Field work on daily walks to a field of horses above village of St.Dogmaels, Pembrokeshire. Objects made from collected horsehair and hazel rods. Work installed at Chapter Arts Centre, Cardiff […]

tableland 2

This gallery contains 5 photos.

spring 1999. A research commission awarded by Chisenhale Dance Space, part resourced by the Bonnie Bird Award for Choreography, Laban Centre London. Beginning with a 4 day workshop / retreat with 12 dance artists in Tycanol woodland, Preseli hills Wales. Sound gathered from woods, material transported to Chisenhale. Over 4 days an interactive installation built […]

tableland 1

materials: table, radio microphone, wah pedal, amplification winter 1998. a table carried along the roads that encircle the Llanaelhaearn uplands, placed at intersections, a domestic object becoming landscape. Acts of belonging. Two tables turned, carried, choreographed, during a week in residency at Chapter arts centre, Cardiff. Tables installed with radio mics, recording/ amplifying interaction and […]

salt (halen)

research: Llyn Penninsula, North Wales Winter 1997. London Winter 1997 performance: Union Chapel Islington, March 1997. Chapter Art Centre, Cardiff, May 1997 (as part of the Welsh Independent Dance Festival). materials: lights, found objects, DAT, microphone, sound processing (Electroharmonix Bigmuff, spring reverb, digital reverb), amplification duration: c. 20-25 minutes salt (halen) developed from daily walks […]

folc land

 

 

research: Llyn Penninsula, North Wales. Working title the lone
(or long) lines

performance: Commissioned by Chisenhale Dance Spance, London, 1997.
Performances at Chapter Arts Centre Cardiff, Bangor University.

materials: 2 rolls paper, hand held light (2 halogen), 3 floor lights
, dead tree, DAT (tape of treated field recordings), microphone, sound processing
(electroharmonix Bigmuff, analogue delay), amplification

duration: 32 minutes+

Developed during the summer of 1997, and commissioned by Chisenhale Dance
Space London as part of an International Festival of Improvisation. Daily
walks into the uplands at Llanaelheaern, Llyn peninsula by Simon Whitehead.
A process of field research into ley lines and funeral paths; dowsed, and
walked, locating a number of energetic maps subsequently transposed onto
the performance space.

Sound recordings were made on these routes; details of water sources, sheep,
wind through a gate, radio scanning and breath. These were sent to Barnaby
Oliver by post, along with maps, then edited and treated digitally to create
a performance tape. The tape was mixed and treated live. Petrified oak tree
found and gathered over 3 days, placed as found, in the performance space.
Twenty two tormentil ( flowering herb, used as pain killer) gathered, one
picked every 100 steps, whilst walking a grid line from Bwlch Mawr to Gyrn
Goch. Mounted on card, and placed in order on a wall. A text spoken and
written live as a memory of an ascending walk on Gyrn Goch. Rolls of paper
rolled to describe lines, written on, used as boundaries and finally recycled
to recreate the topology of the Llanaelheaern uplands. Movement scores map
the subtle energy pathways of the body, etched on the surface of the body
and explored as energetic/ somatic states.

map: Pathfinder 801 (sheet 34/44) Llanaelhaearn. OS Ref: 408476-427478.